© COPYRIGHT 2012 Jeremy Sortore
“Jeremy Sortore only has two songs as the Padre, but he brings to them a tenor as mellifluous as dark, dark chocolate slowly melting.” — Westword
“No voice, however, is as beguiling as Jeremy Sortore’s. As the compassionate Padre, he joins in on the lovely rendition of ‘I’m Only Thinking of Him’ and solos ‘To Each His Dulcinea.’” – Denver Post
“Jeremy Sortore and Mark Rubald both play servants — small roles that are usually given to less-experienced actors but shouldn’t be, because they’re very easy to mess up — and their performances are so impeccable that you often find yourself watching their faces as they stand deferentially in the background, noting the occasional raised eyebrow or wry twitch of the lip.” – Westword
“…palpable sliminess…the smug Gestapo officer played by Sortore [is] all gleefully sneering arrogance. But over the course of the evening, he also reveals the layers that have created the monster before us.” – Denver Post
“Jeremy Sortore, playing the Balladeer and Lee Harvey Oswald, reveals a striking singing voice.” – Westword
“…Jeremy Sortore, a solidly American singer…seemed right at home in a Feb. 22 program of classical and popular French songs…Sortore skillfully combined obvious facility for the [French] language with a rare feel for the distinctive structure and idiomatic spirit of these selections. A good example was his animated, aptly witty take on the typically naughty French tune, ‘In Aline’s Bed.’ All in all, it was a diverting and classy evening, enhanced by Sortore’s polished stage presence and smart introductions…” – Denver Post
“…[Sortore’s] honeyed tenor soothes the soul…and lends new levels of irony to the superficially pretty…” – Westword